The film Cyborgs in the Mist follows a group of researchers of the LOPH laboratory, who fight against mankind's programmed obsolescence. It takes place in a district of Saint-Denis which concentrates different utopias aimed at transforming the world, and draws a portrait of modern society as a process of atomization. There lies the Villa Coignet, an abandoned monument to the technique of reinforced concrete, the Saria meat and bone meal factory, one of the largest data centres in France, as well as delivery warehouses and evangelical churches.
Cyborgs in the Mist
Film, 46 mn
In 1851, François Coignet sets up a factory in Saint-Denis. He develops a new kind of mortar that becomes as hard as stone agglomerated concrete. To demonstrate its possibilities, he had a villa built entirely in this material : the first house in the world to be built entirely in concrete, as if in a single block – a monument to the modern world in general, and to the northern suburbs in particular.
Perhaps is it precisely because of its symbolic importance – symbolic of a history we do not want to see – that the villa is left in a state of advanced decay. The plaster is peeling off, revealing the raw material of this monument to the universal powder. It is in this place that one hardly notices that the research of the LOPH laboratory will take place.
Acknowledging the inevitable development of robotics and artificial forms of intelligence, the LOPH laboratory experiments with ways of adapting mankind to be able to fight against its planned obsolescence ("Lutte contre l'obsolescence programmée de l'homme" in French). Its aim is to experiment with survival scenarios for when the period of human domination of the planet comes to an end. How can we anticipate this reversal in the evolutionary logic of the species ? How can we adapt to this new environment without too much violence ?
It is essential to anticipate catastrophic scenarios. Teams of academics are involved, as well as science fiction writers and fledgling forms of artificial intelligence.
Diffusion
"Ragpickers' Investigations into the Internet", Soundimageculture, Brussels, september 27, 2024.
Exposition Reconfiguration des particules, Le bel ordinaire, Pau, 15 janvier - 21 mars 2020
Événement Attentifs ensemble, La Station gare des Mines, Paris, 29 mars 2018
Screening. Synesthésie ¬MMAINTENANT, Saint-Denis. 2018
Uchronia | What if? curated by NT2, HyperPavillon (curator Philippe Riss-Schmidt, Fabulous Inc.) durant la 57e édition de la Biennale de Venise. 2017
Colloque Le sujet digital, Archives Nationales de France, Pierrefitte, 19 novembre 2015
Événement Liturgies urbaines, Espace Paul Ricard, Paris, 25 septembre 2013
New Atlantis. August - September. km temporaer, Berlin, 2013
Exposition Sciences et Fictions, Galerie de Roussan, Paris, 15 mai - 15 juin 2013
Exposition Les espaces d'Abraxas Image de ville. Seconde Nature, Aix-en Provence. 10-30 novembre 2012
Hot Spring Sharing Project, Tosee galerie, Howl Space Taipei, Taiwan, aout 2012
Projection Manifestation 2062, Gaîté Lyrique, Paris. 7 février 2012
Festival Accès(s), Pau, 6-9 octobre 2011
Événement Forum des utopies, Musée des arts et métiers, Paris, 23-26 juin 2011
Exposition LMQTP, Synesthésie, Saint-Denis, 20 mai - 16 juillet 2011
Annexes
“Cyborgs dans la brume” (scénario du film) in Marie-Christine Bureau et Michel Lallement, Forum des utopies. Le travail augmenté, Burozoïque, coll. Le hangar des utopies, 2015.
“Cyborgs dans la brume”, HAL, Archive ouverte.
Cyborgs dans la brume, Répertoire des arts et littératures hypermédiatiques, (ALH)
Credits
Film, color, sound, 46'
Written, directed and edited by Gwenola Wagon et Stéphane Degoutin
Voice : Stéphane Piveteau
Image : Marianne Tardieu
With : Lionel Charles, Laetitia Giorgino, Nicolas Maisonneuve, Nathalie Matter, François Muzard, Philippe Ndjoli, Michael Wiss, The Singularity University, Saria Industrie
Music : "Feuillets d'Hypnos" by Patrick Fradet/Orkestronica: Patrick Fradet (composition/dir./Laptop),Sandra Toumson, Marine Gestin (voix/FX),Sandra Ellama (flûte/piccolo),Bérénice Riollet (flûtes), Nelly Meunier (clarinette), Philippe Razol (Ewi/sax. Sop./FX), Florence Kraus (sax. alto), Arnaud Franceschini (sax. ténor), Geoffroy Wagon (trombone), Daniel Palomo (Laptop/Ewi/sax. baryton), Nicolas Robache (Laptop/clavier),Grégoire Terrier (Laptop/Objet), Robin Gallet (guitare/FX),Cyril Roger (basse/Laptop),Bruno Veron (batterie), Jérome Tranche (metteur en son)
Thanks to Dora Stanczel
Production : Synesthésie / Conseil Général du 93.